\u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi \u015eehir Tiyatrolar\u0131\u00a0Musahipzade Celal\u2019in yazd\u0131\u011f\u0131,\u00a0Engin Alkan\u2019\u0131n uyarlay\u0131p y\u00f6netti\u011fi\u00a0\u201cHaramiler\u201d oyununu seyirciyle bulu\u015fturuyor.<\/p>\n
Tarihin tozlu sayfalar\u0131ndan bug\u00fcne uzanan \u201charamzade\u201d d\u00fczenini, renkli bir koreografi ve yapay zekadan yararlan\u0131larak yap\u0131lan \u00e7arp\u0131c\u0131 m\u00fcziklerle ele alan \u201cHaramiler\u201d, 17 Aral\u0131k 2025 \u00c7ar\u015famba g\u00fcn\u00fc 20.00\u2019de Harbiye Muhsin Ertu\u011frul Sahnesi\u2019nde\u00a0ilk g\u00f6sterimini yap\u0131yor.<\/p>\n
Geleneksel T\u00fcrk Tiyatrosu\u2019nun hiciv ustas\u0131 Musahipzade Celal\u2019in Aynaroz Kad\u0131s\u0131, Atl\u0131 Ases ve Fermanl\u0131 Deli Hazretleri adl\u0131 \u00fc\u00e7 \u00f6nemli oyunu, Engin Alkan taraf\u0131ndan tek bir kurguda birle\u015ftirilerek \u201cHaramiler\u201d ad\u0131yla sahneye uyarlan\u0131yor.<\/p>\n
Oyunun Konusu:<\/p>\n
Haramiler m\u00fczikali akrabas\u0131 \u015eeyh\u00fclislam Efendisi\u2019nin kay\u0131rmas\u0131yla devletin en \u00fcst mertebelerine eri\u015febilmi\u015f Kad\u0131 Yakup Efendi\u2019nin Saray\u2019a dek uzanan ikbal yolculu\u011fu ekseninde geli\u015fen olaylar\u0131 anlat\u0131yor.<\/p>\n
Halk\u0131n ba\u015f\u0131na musallat olan harami y\u00f6neticiler, \u00e7\u00fcr\u00fcm\u00fc\u015f b\u00fcrokrasi, mallar\u0131 gasp edilen yetim bir k\u0131z, g\u00f6z\u00fc d\u00f6nm\u00fc\u015f papazlar, b\u00fcy\u00fclerle muskalarla yolunu bulan cinci hocalar ve en \u00f6nemlisi ma\u011fdur edilmi\u015f halk bu oyunun en \u00f6nemli fig\u00fcrleri olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor.<\/p>\n
Musahipzade Celal\u2019in Fermanl\u0131 Deli Hazretleri, Aynaroz Kad\u0131s\u0131 ve Atl\u0131 Ases oyunundan olu\u015fturulan f\u00fczyon bir adaptasyonla kaleme al\u0131nan oyun mizah\u0131n, hicvin ve m\u00fczi\u011fin yumu\u015fak kuca\u011f\u0131nda kocaman bir yang\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne seriyor.<\/p>\n
Haramiler Hep Vard\u0131lar, Her Yerdeydiler. D\u00fcn de Bug\u00fcn de… Ve \u015eimdi Sahnede<\/p>\n
Oyunun y\u00f6netmeni Engin Alkan \u201cHaramiler\u201di \u015f\u00f6yle anlat\u0131yor:<\/p>\n
\u201cBen “rejis\u00f6rl\u00fck yapma”y\u0131” sevmem. Hikayeler kurarak onlar\u0131 tasar\u0131mlar haline getiririm ve bu tasar\u0131mlar sunaca\u011f\u0131m\u0131z kitlenin, ki\u015fisel d\u00fcnyam\u0131n, yap\u0131m\u0131n ve de binlerce y\u0131ld\u0131r s\u00fcregelen sanatsal gelene\u011finin reel ihtiya\u00e7lar\u0131n\u0131n bile\u015fkesidir.<\/p>\n
\u00c7o\u011funlukla izleyiciyle birlikte odaklanmak istedi\u011fim durumlar hem i\u00e7 d\u00fcnyamdaki hem d\u0131\u015far\u0131daki tozu dumana katan r\u00fczgarlar, \u00e7\u00fcr\u00fcmeler ve ek\u015fimelerdir. K\u00fcl\u00e7e gibi a\u011f\u0131r \u00e7eli\u015fkileri seyir keyfiyle dramatize edebilmek i\u00e7in ki\u015fisel labirentimin ve sokaklar\u0131n \u00e7\u0131\u011fl\u0131\u011f\u0131n\u0131, sanc\u0131lar\u0131n\u0131, \u00e7eli\u015fkilerini duymaya, kuytuda kalan\u0131 anlamaya, derinlerimizde direnci k\u0131r\u0131lan ya\u015fama arzusunu desteklemeye odakl\u0131 bir okuma prati\u011fim var.<\/p>\n
Bu ba\u011flamda Haramiler m\u00fczikalinin \u015eehir Tiyatrolar\u0131’nda minyat\u00fcr esteti\u011finden yola \u00e7\u0131karak daha \u00f6nce sahneledi\u011fim, \u0130stanbul Efendisi, \u015eark Di\u015f\u00e7isi ve \u015eekerpare oyunlar\u0131n\u0131n de\u011fi\u015fik bir varyant\u0131 oldu\u011funu s\u00f6yleyebilirim.<\/p>\n
Gelene\u011fimizi post-nostaljik dokunu\u015flarla yeniden yorumlad\u0131\u011f\u0131m\u0131z fizyon bir kurgu olan oyun metnimiz Musahipzade Cel\u00e2l’in Aynaroz Kad\u0131s\u0131, Fermanl\u0131 Deli Hazretleri ve Atl\u0131 Ases oyunundan yola \u00e7\u0131k\u0131larak adapte edildi. Fakat yine de Haramiler’in bir geleneksel tiyatro \u00f6rne\u011fi oldu\u011fu s\u00f6ylenemez.<\/p>\n
Benim sahneledi\u011fim oyunlarda geleneksel ve yerelle kurdu\u011fum ili\u015fki zaman zaman yanl\u0131\u015f anla\u015f\u0131labiliyor. Ben geleneksel oyunlar sahnelemiyorum asl\u0131nda. Gelene\u011fi post-nostaljik dokunu\u015flarla yorumlayarak gelenekselin taban\u0131nda bug\u00fcn\u00fcn ve \u015fimdinin anlam\u0131n\u0131 eksene alan \u00f6zg\u00fcn formlar tasarl\u0131yorum. Bu tasar\u0131mlarda aidiyetimin ve k\u00fclt\u00fcr\u00fcm\u00fcn ayak izlerini takip ederek ge\u00e7mi\u015fin ve bug\u00fcn\u00fcn ortak belle\u011fine ula\u015fmaya \u00e7al\u0131\u015f\u0131yorum.<\/p>\n
A\u015fk, sevin\u00e7, umut, hakimiyet, ba\u015far\u0131… Ya da s\u0131k\u0131nt\u0131lar, hayal k\u0131r\u0131kl\u0131klar\u0131, \u00f6fke, pi\u015fmanl\u0131k, y\u0131lg\u0131nl\u0131k, anlams\u0131zl\u0131k… Benzer hisler ya\u015fan\u0131lan d\u00f6neme ba\u011fl\u0131 kalmaks\u0131z\u0131n insan olman\u0131n daim\u00ee e\u015flik\u00e7ileri. T\u0131pk\u0131 yalan, hile, \u015fiddet, zorbal\u0131k, kay\u0131rmaca, k\u0131skan\u00e7l\u0131k, haks\u0131zl\u0131k gibi.<\/p>\n
K\u0131saca haramiler hep vard\u0131lar, her yerdeydiler. D\u00fcn de bug\u00fcn de… Ve \u015fimdi sahnede.\u201d<\/p>\n
\u015eark\u0131 s\u00f6zleri ve m\u00fczi\u011fini Engin Alkan\u2019\u0131n, dekor ve \u0131\u015f\u0131k tasar\u0131m\u0131n\u0131 Cem Y\u0131lmazer\u2019in, kost\u00fcm tasar\u0131m\u0131n\u0131 Duygu T\u00fcrkekul\u2019un, efekt tasar\u0131m\u0131n\u0131 Metin K\u00fc\u00e7\u00fcky\u0131lmaz\u2019\u0131n, koreografisini Senem Oluz\u2019un, m\u00fczik d\u00fczenlemesini Sinan Can Sar\u0131\u2019n\u0131n, korrepetit\u00f6rl\u00fc\u011f\u00fcn\u00fc Murat Bavli\u2019nin yapt\u0131\u011f\u0131, foto\u011fraflar\u0131n\u0131 Ahmet \u00c7elikba\u015f\u2019\u0131n \u00e7ekti\u011fi oyunda\u00a0Asl\u0131 Nimet Altaylar, Damla Cang\u00fcl Yi\u011fit, El\u00e7in Atamg\u00fc\u00e7, Emre Ertun\u00e7, Enes Mazak, Ey\u015fan D\u00f6nmez, G\u00f6ksel Arslan, Melih Tuma, M\u00fcsl\u00fcm Tamer, Pelin Budak, Reyhan Karasu, Yusuf Ak\u00e7ay, Zafer K\u0131r\u015fan\u00a0rol al\u0131yor.<\/p>\n
Oyun, 17-20 Aral\u0131k, 24-27 Aral\u0131k, 2-3 Ocak tarihleri aras\u0131nda Harbiye Muhsin Ertu\u011frul Sahnesi\u2019nde.<\/p>\n
\u00a0<\/p>\n
Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"
\u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi \u015eehir Tiyatrolar\u0131\u00a0Musahipzade Celal\u2019in yazd\u0131\u011f\u0131,\u00a0Engin Alkan\u2019\u0131n uyarlay\u0131p y\u00f6netti\u011fi\u00a0\u201cHaramiler\u201d oyununu seyirciyle bulu\u015fturuyor.<\/p>\n","protected":false},"author":1,"featured_media":38271,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[306],"tags":[6471,9980,3448,9978,9979],"class_list":["post-38270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin","tag-aralik","tag-aynaroz","tag-geleneksel","tag-haramiler","tag-musahipzade"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t